I like the illustrations I did for this article on hATTR, a rare condition that is hard to diagnose due to its seemingly unrelated symptoms ??????#illustration #graphicdesign #editorialillustration #health pic.twitter.com/JQBKVa1zkl
— Yesbian (@Demongemini6) June 4, 2019
A very steady hand
Shadowy Black and White Watercolors by Artist Elicia Edijanto
Elicia Edijanto combines nature and adventure capturing a child like innocence in these whimsical black and white watercolor pieces. View more on her Instagram.


Copland on What Creativity is Not

Aaron Copland on Creative Authenticity
Aaron Copland composed some of the most recognizably American classical music ever written. Pieces like “Appalachian Spring” and “Fanfare for the Common Man” defined a sound that felt distinctly rooted in the American experience. But Copland did not achieve this by trying to be original. He achieved it by being honest about his influences and his environment. When Copland spoke about what creativity is not, he was warning against the trap of striving for originality as a goal in itself. Trying to be different for its own sake produces work that feels forced and hollow.Authenticity Over Originality
Designers face constant pressure to produce something new and different. But the most effective design often builds on established conventions rather than breaking them. Users need to understand interfaces. Readers need to navigate layouts. Audiences need visual language they can parse quickly. Copland drew from American folk music, jazz, and the European classical tradition. He combined these influences in ways that felt natural because they genuinely reflected his experience as an American composer in the 20th century. The result was work that sounded fresh without feeling forced. The lesson for designers: draw from your actual influences and experiences. Combine them honestly. The work that emerges will have a natural quality that forced originality never achieves. Your unique perspective is already built into how you see and combine things.19 best fonts in 19 top combinations
Update: February 26, 2019: After nine years of the digital-only edition, the Big Book of Font Combinations is available in glorious, full-sized print editions: paperback and hardcover. Learn more! Update: April 5, 2016: I recently compiled a list of the 19 most popular fonts according to usage by graphic designers from all over the web. I could have had 100, but I got it down to under 50, and from there whittled it down to just the 19 best fonts. Why 19? Because at exactly 20, the “long tail” shot right out and the differences in tallies became negligible. Take a look at those top fonts if you want and come right back because now we are going to have a little typography fun. … [Read More]