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28 Crazy Geometric Graphic Design Inspirations from 500 Years Ago

November 3, 2009 by Douglas Bonneville

Boy, the term “been there, done that, got the t-shirt” rings true today. I’m a big fan of M.C. Escher and deeply appreciate and am inspired by his work, both as a graphic designer and artist, and so I was astonished today to find what is likely – directly or indirectly – the archetypal artist for his work. … [Read More]

Filed Under: Art

How to Use a Typewriter to Promote Your Logo Design Business

October 29, 2009 by Douglas Bonneville

We all need a clever marketing piece from time to time to garner attention and promote our wares as graphic designers. Lot’s of great competition out there! I discovered a secret way of promoting your business though. I probably shouldn’t tell you, but I’m going to trust you in good will with this secret. And what is the secret? … [Read More]

Filed Under: Logo Design

73 Essential Logo Design Tips and Their Sources

October 28, 2009 by Douglas Bonneville

We collected some of the best logo design tips from the top logo designers and other resources on the web. We sorted them, got rid of overt overlaps and now present to you, dear graphic design enthusiast, the final results. We have here one of the densest, pithiest, and most tip-ladden post on logo design you are going to find. Follow these tips, and you’ll be on solid ground with your design efforts. Ignore them at your own peril. … [Read More]

Filed Under: Graphic Design

Top 10 Fonts for Graphic Designers with PDF Chart

October 27, 2009 by Douglas Bonneville

Last month I posted an article called 19 top fonts in 19 top combinations which caught the attention of Jacob Cass and Smashing Magazine and quite a few other readers as a result of all the traffic that came in from Twitter. I also got a lot of correspondence over the article with a large dose of “THANKS” included, and even a free virtual beer. Why was this article so popular with some people? I know the topic had been covered before. As the feedback came in, the answer became clear: graphics. Not just any graphics, but specifically the PDF chart attached to the post. … [Read More]

Filed Under: Typography

Art House Co-Op’s “The Sketchbook Project” Moleskine sketches, pages 12-13

October 22, 2009 by Douglas Bonneville

For pages 12-13 of my Art House Co-Op “Sketchbook Project” Moleskine, I wanted to do a simple exercise using quasi-isometric shapes. The inclusion of Blackletter type is just totally random. I drew the substructure in pencil and did the black and white work with a Micron .01. The Moleskine paper in this particular book has not grown fond of me nor I of it.
  • The Moleskine paper is prone to bleeding anything and everything. If I open the Moleskine in room lighting, it looks exactly like the scan. I normally use a variety of acid-free, heavy weight white paper with the thick wire binding you see in various sizes at any art store. I have never bled through any of the pages. It must be this particular model.
  • While the flatness and paper texture are wonderful, the Moleskine paper weight is not heavy enough to support really any media without bleeding. Oh well.
  • As my project is entitled, “It’s not easy being green”, we can now add “It’s not easy drawing in a semi-transparent Moleskine notebook”, and hence, I have to draw concepts, if any, very lightly on the even page and focus on only using one side of the odd page.
… [Read More]

Filed Under: Art

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